“Society lies under the spell of ancient terrorism and coagulated errors. Science is either wilfully hypocritical or radically misinformed.” John Addington Symonds struck many an heroic note in this courageous (albeit anonymously circulated) essay. He is a worthy Virgil guiding the reader through the Inferno of suffering which emerging medico-legal definitions of the sexually deviant were prepared to inflict on his century and on the one which followed. Symonds pleads for sane human values in...

The reader cannot but smile at some of the phases of life presented in this volume. Yet the smile will, in no case, the author thinks, be at the expense of humanity, good feeling, or virtue. Many of the incidents given, are facts embellished by a few touches of fancy. In all, lessons may be read that some, at least, will do well to lay to heart.

Henry Beechtree, a newspaper correspondent for the British Bolshevist, is covering the latest otherwise sleepy session of the League of Nations in Geneva, when the newly elected President – a member of the Norwegian delegation – disappears mysteriously, adding some badly needed ‘spice’ to Henry's assignment. (Introduction by Cathy Barratt)

MANUAL OF SURGERY, OXFORD MEDICAL PUBLICATIONSBY ALEXIS THOMSON, F.R.C.S.Ed.PREFACE TO SIXTH EDITION Much has happened since this Manual was last revised, and many surgical lessons have been learned in the hard school of war. Some may yet have to be unlearned, and others have but little bearing on the problems presented to the civilian surgeon. Save in its broadest principles, the surgery of warfare is a thing apart from the general surgery of civil life, and the exhaustive literature now available on every aspect of it makes it unnecessary that it should receive detailed consideration in a manual for students...

In the court of Louis XIV, adaptations of Greek tragedies were very popular. This play, heavily influenced by Euripides' Hippolytus, deals with love that violates social taboos. Note: In Racine's work, a new "scene" begins whenever a character enters or exits. Therefore, there are no stage directions, only a list of the characters on stage for each scene. The action is continuous for the entire act.

A Christmas tale of John Brown's ghastly family (suburban snobs), Captain Bonaventure de Camp and his equally awful brood (a dubious crew), and poor Soavo Spohf, organist of St. Stiff the Martyr, gifted in musical ability but not blessed in looks or love. No-one could call this a great work of literature, but it definitely raises a few chuckles and it also offers a fascinating glimpse into Christmas festivities and social mores in well-to-do households in the mid-19th century. (Introduction by Ruth Golding)