無聲戲 By: Yu Li (1611-1680?) |
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"無聲戲" by Yu Li is a beautifully written novel that explores the complexities of relationships and the impact of silence on individuals. The story follows the lives of two characters, Yuan and Lin, whose paths cross in unexpected ways, leading to a deep connection that transcends words.
The author's prose is lyrical and evocative, drawing readers into the inner thoughts and emotions of the characters. Yu Li skillfully weaves together themes of love, loss, and longing, creating a poignant and thought-provoking narrative.
One of the most impressive aspects of the novel is the way in which Yu Li captures the power of silence. Through subtle gestures and unspoken words, the characters communicate more deeply than through any conversation. This exploration of the silence between individuals adds a layer of complexity to the story, deepening the reader's understanding of the characters' motivations and desires.
Overall, "無聲戲" is a moving and thought-provoking read that stays with you long after you have finished the final page. Yu Li's exquisite prose and nuanced storytelling make this novel a must-read for fans of literary fiction. 詩云:天公局法亂如麻,十對夫妻九配差。 常使嬌鶯棲老樹,慣教頑石伴奇花。 合歡床上眠仇侶,交頸幃中帶軟枷。 只有鴛鴦無錯配,不須夢裡抱琵琶。 這首詩單說世上姻緣一事,錯配者多,使人不能無恨。這種恨與別的心事不同, 別的心事可以說得出,醫得好,推有這樁心事,叫做啞子愁、終身病,是說不出、 醫不好的。若是美男子娶了醜婦人,還好到朋友面前去訴訴苦,姊妹人家去遣遣興, 縱然改正不得,也還有個娶妾討婢的後門。只有美妻嫁了丑夫,才女配了俗子,止 有兩扇死門,並無半條生路,這才叫做真苦。古來「紅顏薄命」四個字已說盡了, 只是這四個字,也要解得明白:不是因她有了紅顏,然後才薄命;只為她應該薄命, 所以才罰做紅顏。但凡生出個紅顏婦人來,就是薄命之坯了,哪裡還有好丈夫到她 嫁,好福分到她享?當初有個病人,死去三日又活轉來,說曾在地獄中看見閻王升 殿,鬼判帶許多惡人聽他審錄。他逐個酌其罪之輕重,都罰他變豬變狗、變牛變馬 去了,只有一個極惡之人,沒有什麼變得,閻王... Continue reading book >>
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